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#1002 – “Model of Leonardo Da Vinci’s Bell Support Mechanism 1452-1519” (Copy)

Selling Price:

Original price was: $4,000,000.Current price is: $2,100,000.

Selling Price:

Original price was: $4,000,000.Current price is: $2,100,000.

BUY NOW & GET EXTRA 10% off & FREE SHIPPING

#1002 DESCRIPTION: Model of Leonardo Da Vinci’s Bell Support Mechanism 1452-1519″ – 

STYLE: Antique Inventions and Models

LINK TO A VIDEO OF THE SYSTEM:  https://youtu.be/r_yVTn6s-Pc

AGE: 15th Century to now. Bell dated 1352 AD Marked (MCCCLII)

CREATED BY:  Not signed (The Bell dated)

MATERIAL/S: Wood, Steel, Coper, Woven string
TESTS PARFORMED:  We tested the Mineral content of the bell and the
metal pins attaching it to the wood Mount. The test results shows traces of Gold, Silver, Platinum and other Minerals in small percentages that allows us to be certain that the dates inscribed on the bell are correct.  The industrial revolution of the 1700’s discovered new method of extracting minerals from the Ore, Iron was refined using a traditional method called “smelting”..  These tests results can be a significant factor in dating the bell.

CONDITION: Excellent – Considering the age 

SIZE:  Medium, 34″ H x 47″ L x 22″ W (inches)

COLOR/S:  Light Brown wood, Green Patinated bell, Grays..  (please see photos) 

MORE ABOUT THIS ARTWORK:  This Amazing One of a kind Model piece was donated to a museum by the estate of Dr. Ladislao Reti and his wife in 1973, the year that Dr. Reti passed away.  Here bellow are details that was discovered about this piece which, that make us believe that The Bell of this item could of been used by Leonardo Da Vinci himself for his research and discovery of the Bell Support Mechanism.

The New York Times article: Ladislao Reti, Who Helped Find Leonardo Notebooks, Dies

“Dr. Ladislao Reti, an authority on Leonardo da Vinci, die near Milan, Italy, on Oct. 25, 1973 according to word reaching here yesterday.

Dr. Reti, of the University California at Los Angeles played a major role in the discovery of the long‐lost note books of the Italian master the National Library in Madrid in 1965.

He edited the documents, an( they are to be published soot by McGraw‐Hill.

The actual find was made bi Dr. Jules Piccus, also a Leonardo scholar, and he and Dr Reti authenticated the documents in 1967.

The find; which consisted of some 700 pages of manuscript and drawings, lost for almost two centuries, established Leonardo as the inventor of several devices, among them the chair drive.

About 5,000 pages of Leonardo’s manuscripts have been discovered, and the latest find, which contained some of his most elaborate and careful work, added much to the rich store of the master’s work.

Dr. Reti’s work at the California library involved him with one of the world’s foremost Leonardo collections, given by Dr. Elmer Belt.”


Dr. Ladislao Reti was the editor and co-author of the book “The Unknown Leonardo”, that was published 1 year after his death in 1974.

Dr. Reti was the author of this chapter “Elements of Machines,” pages 244-287

On page 282 in his book, Dr. Reti exhibited detailed drawings of Leonardo Da Vinci’s theory of his Bell support Mechanize.

Dr. Reti described that there were two other systems appeared: –  “More then 200 years after Leonardo made the sketches for the bell support, and identical system appeared in Jacob Leopold’s Theatrum Generale.  Then, another century later, J.V Poncelet in his Traite de Mecanique Industrielle  described the method used in supporting the Mutte bell in the cathedral de Matz.”  (Dr. Rati also published copy of these two drawings on the opposite page where he posted Leonardo’s 1500 AD original notes and drawings of the Bell Support Mechanism.)

Jacob Leopold, Theatrum Machinarum Generale (“The General Theory of Machines”):

The Mutte bell in the cathedral de Matz:

Drawings of the versions that appeared 200 years later

Dr. Reti mentioned that he (the author of the chapter) ordered a model of the support mechanism –  “An Exact copy of Leonardo’s solution, A working model (Photo bellow) based on Leonardo’s drawings, was commissioned by the author of this chapter and carried out by Sinibaldo Parrini Of Florence”  (At  the time, Dr. Reti already had our working Bell Mechanism System Model on hand  that he ordered the system featured in the book, WHY?)

In our exploration of the Bell Support Mechanism attributed to Leonardo da Vinci, we delve into the deliberate choices made by Dr. Reti, a distinguished authority on Leonardo’s work. Notably, during the editing of the “Unknown Leonardo” book, Dr. Reti featured a working model of the Bell Support Mechanism— non exact copy of Leonardo’s solution.

What adds a layer of complexity to this narrative is the revelation that, at the time, Dr. Reti already possessed a working Bell Mechanism System Model – Our model—ordered prior to the commissioning of the model featured in the book. This prompts a natural question: Why would Dr. Reti, armed with a meticulously crafted working model, choose to commission another for inclusion in the book?

As clarified by Dr. Reti, the model featured in the book was commissioned by the author of the chapter and executed by Sinibaldo Parrini of Florence. While the specific motivations for this dual approach remain uncertain, scholars often navigate intricate decisions during the editing process based on various considerations, such as the desire for authenticity, clarity of presentation, or the intended impact on the audience.

The decision not to showcase the More Exact model already in Dr. Reti’s possession raises intriguing questions about the nuances of historical interpretation. It prompts us to ponder whether this deliberate choice was aimed at emphasizing specific aspects of Leonardo’s design, sparking curiosity, or creating a nuanced narrative within the pages of “Unknown Leonardo.”

In attributing our Bell model to Leonardo da Vinci, we recognize the complexities of historical interpretation. While the direct usage of our Bell by Leonardo remains unverifiable, we embrace the spirit of homage and innovation, drawing on the legacy of both Dr. Reti’s insights and Leonardo’s unparalleled genius.

The main difference between the two variation are the type of Arms that Holding the Bell.  By looking at our version of the Bell Support Mechanism, it is safe to say that the version that we have is closer to the Da Vinci drawings and the version that featured in the book is similar in style to the version that appeared 200 and 3oo later.

According to the commemorative plaque that on our model, Dr. Reti and his wife donate it in 1973.  Therefore, we know that Dr. Reti had our model on hand when he edited his “Unknown Leonardo” book.  Since our Bell mechanism model is more like Leonardo’s notes, then we need to ask ourselves these questions- 1. Why did Dr. Reti posted the photo of the After Leonardo’s version?  2. Why did Dr. Reti had to order a model of the Bell Support System if he already had our model on hand, where the Mechanism arms are the exact variation of Da Vinci?

CONCLUSION:  When addressing the question of why Dr. Reti chose to post and promote a specific model of the Bell Support Mechanism in the “Unknown Leonardo” book, you can consider several possibilities. While the exact motivations may not be definitively known without direct input from Dr. Reti, you can offer educated speculations based on common practices in historical and scholarly contexts. Here’s a statement: In our exploration of the Bell Support Mechanism attributed to Leonardo da Vinci, we delve into the intriguing choices made by Dr. Reti, a distinguished authority on Leonardo’s work. Notably, during the editing of the “Unknown Leonardo” book, Dr. Reti presented two drawings versions of a Bell Support Mechanism. What stands out is Dr. Reti’s decision to prominently feature a photo of one model while omitting the other, which aligns more closely with Leonardo’s original drawings. While the specific reasons behind this choice remain uncertain, scholars often make decisions in the editing process based on various considerations, such as clarity of presentation, emphasis on certain aspects, or the desire to engage the audience in a particular way. The omission of the more exact model in the book raises intriguing questions. Could it be a deliberate choice to spark curiosity, encourage further exploration, or underscore the dynamic nature of interpreting Leonardo’s intricate designs? As we ponder these questions, we find inspiration in the connection between historical interpretations and contemporary creations. In attributing our Bell model to Leonardo da Vinci, we acknowledge the complexities of historical interpretation. While the direct usage of our Bell by Leonardo remains unverifiable, we embrace the spirit of homage and innovation, drawing on the legacy of both Dr. Reti’s insights and Leonardo’s unparalleled genius. In Dr. Reti’s exploration of Leonardo’s ideas, a particular bell support system model was highlighted, distinct from Leonardo’s known drawings. Our rendition, though not claiming direct usage by Leonardo, is a homage to his innovative spirit and the creative journey he undertook. Dr. Reti’s decision not to include this model in his book adds an intriguing dimension, prompting us to attribute our bell model to the influence of Leonardo’s vast imagination.  The Bell on our Model- Marked (MCCCLII) 1352 AD.

Leonardo Da Vinci lived – 1452-1519

Dr. Reti had our bell in his possession at the time he edited his book, yet according to his statement there, he ordered another model from Sinibaldo Parrini Of Florence and used it to publish his book.  The Bell Mechanism Dr, Reti already had in his possession was a better option to be used in the Da Vinci book, since the Arms of our mechanism are more exact to Leonardo,s drawings. He didn’t have to order another model, but yet he did.

We believe that Dr. Reti knew something about our Bell Support System that he didn’t want to expose.  Could it be that this was the bell used by Leonardo on his research??

BUYER ASSURANCE: Rest assured, you will receive the actual Model featured on this listing and not a copy. Each piece is unique, making your acquisition personal and a special  addition to your art collection.

* This Item will be shipped in a wooden crate that will be specially made for it.  

* All items listed here are in stock and available for shipping. Buyer will receive this actual art presented here.

* We strive to provide fair prices – potential buyer may submit any reasonable Offer.

* Potential buyer may submit serious inquiry to seller (No spam or non-purchase related solicitations please. Frivolous inquiries may be ignored).

 

NOTES:   

SHIPPING & HANDLING: Cost may vary from item to item, based on size, weight and destination (May be 3% to 15% [if heavy or big] of item/s cost). All shipments are from (FOB) Los Angeles CA USA (unless otherwise noted).

* Basic Shipping Insurance will be applied. Buyer may request additional Insurance. We will do our best to get best prices for our buyers and will ship orders as soon as possible.

* If you are in Los Angeles USA, you may pick your art at our facility. Or you may arrange your shipping company to pick it up (Please notify Seller timely).

* Sales Tax: For Items which are picked up or shipped in California USA there is a charge of 9.5% Sales Tax added to purchase Price (or as maybe changed by authorities).

 

#1002 – “Model of Leonardo Da Vinci’s Bell Support Mechanism 1452-1519” (Copy)

Selling Price:

Original price was: $4,000,000.Current price is: $2,100,000.

BUY NOW & GET EXTRA 10% off
& FREE SHIPPING

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